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momentum, 2014.01.10 Fri, by

Best of Times, Worst of Times at Chronus Art Center

Echoing the first words of A Tale of Two Cities (1859), Charles Dickens’ famous novel set at the time of the French Revolution, this exhibition jumps forward to the present to consider how contemporary art and aesthetics use the past to express the future. >> Read more
momentum, 2014.01.10 Fri, by

Best of Times, Worst of Times at Chronus Art Center

Echoing the first words of A Tale of Two Cities (1859), Charles Dickens’ famous novel set at the time of the French Revolution, this exhibition jumps forward to the present to consider how contemporary art and aesthetics use the past to express the future. >> Read more
Commentary, 2013.06.06 Thu, by

The Elysée Treaty and Curatorial Strategies of Reconciliation

On the occasion of the 50th anniversary of the Elysée Treaty, which ended a disastrous century of arch enmity between France and Germany, a very ambitious conference was held at the famous China Academy of Arts in Hangzhou... >> Read more
Interviews, 2012.11.26 Mon, by

Christie’s François Curiel: “Strong Demand Globally for the Best of the Best”

Francois Curiel, Christie's Asia president on strong Asia growth: "in the first half of this year there was a 31% increase in Asian clients registering to bid on our sales in London and New York."

>> Read more
Think, 2012.02.21 Tue, by

Dead Rabbit Awards

There was one clear choice. Liu Wei's complex conceptual jungle "Trilogy" at the Minsheng Art Museum, blended painting, sculpture and electronics, the museal space itself to meditate on modernism, China, Beijing, the road to his studio and his own practice. >> Read more
Artist profiles, 2020.09.01 Tue, by

Show and Tell: Cao Yu’s Gendered Embodiment

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more
Artist profiles, 2020.06.30 Tue, by

Recovery, See-Saws, and Turbulence

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more
Interviews, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
Interviews, 2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more
Artist profiles, 2020.05.07 Thu, by

Claire Kerr –
On Going for Walks and Taking Photographs

William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> Read more

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