randian | 燃点

With this jubilation we introduce the volume and discuss its topics with focus on dualisms and monism and what might they mean for our environments, technology, politics and our co-beings- material and immaterial. >> Read more

Taikang Space will present “Genders Engender”, a major exhibition of the year, accompanied by forums, workshops and publications altogether. >> Read more

Mali Wu and Francesco Manacorda will serve as co-curators of the 11th Taipei Biennial in 2018, Taipei Fine Arts Museum (TFAM) has announced. >> Read more

A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin’s utopian short story “Zhongguo 2185”, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. “Zhongguo 2185” envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains—Chairman Mao’s. >> Read more

(中文) 在学术界，革命和激进的思想是通过与学者和学术传统的某种约定（engagement）实现的，而这些学者和传统则来自于受到册封的过去。当代人阅读、或者更为通常的情形是重读旧文，从而产生了无法落入这些文本之主流被接受情形的“新”解读。 >> Read more

CAC Summer Reading Camp: Chthulucene, After Life, Hyperobject >> Read more

“If you glance through your botanical books, you will see often added to certain names – ‘a troublesome weed’. >> Read more

“If you glance through your botanical books, you will see often added to certain names – ‘a troublesome weed’. It is not its being venomous, or ugly, but its being impertinent – thrusting itself where it has no business, and hinders other people’s business – that makes a weed of it.” >> Read more

Simon Lee Gallery Hong Kong is pleased to present an exhibition of new work by three artists whose links of friendship and common interest contrast sharply with their widely divergent approaches to painting, strategies of image making and the relation of narrative content in their work to the field of abstraction and figuration. >> Read more

In an age in which he feels artists have become exceedingly demo­cratic, Luc Tuymans adheres closely to the method he has honed over time—mercifully without, he says, a moment of “painter’s block.” >> Read more