randian | 燃点

While perhaps satisfying the demands of experienced collectors for a few quality works, it also offers a chance for entry-level collectors and ordinary viewers. With public sculptures in the shape of Transformers, rhinoceroses, and such like, it is like any other tourist attraction—a place of entertainment for the public over the May Day break... >> Read more

Now in its fifth and latest iteration, the exhibition’s premise is simple and deceptively attractive. >> Read more

Overview Tianjin Art Museum is a comprehensive art museum of plastic arts focusing on collection, research, popularization and exhibitions of modern and contemporary artistic works and dedicated to aesthetic education and international cultural exchanges. The overall floorage of the museum boasts 28,065 square meters. The main building is 29.7 meters high with 5 stories. The […] >> Read more

Chambers Fine Art is pleased to announce the opening of two concurrent exhibitions devoted to new and conceptually related earlier works by Ai Weiwei. >> Read more

Among the extremes of China there are wide fields of farmland, treacherous mountains, stark plains, thrown-together cities and cutting-edge cosmopolises. And there are men. Patrick Wack’s solo exhibition Here There Are Men features twelve of his latest photographic portraits from various locations in China. >> Read more

As a highlight of The Year of Turkish Culture in China 2013,New Continent – A Selection from the Video Collection of the Istanbul Museum of Modern Art will be unveiled at Shanghai Minsheng Art Museum on December 22, 2013. >> Read more

Manifesta in St. Petersburg; Wang Chunchen in Venice; Iberia Center renamed Hive Center; Launch of ArtShare; MAP Office wins Sovereign Art Prize >> Read more

Other attempts at cross-genre synergy, as with attempts by the Modern Media music critic, Jian Cui, the second-rate punk musician, Wang (Gia) Yue, of Hang on the Box, and others to present themselves as artists, often under the aegis of exhibitions and markets known as “Mary In >> Read more

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more