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访谈, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
访谈, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
访谈, 2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
访谈, 2020.11.16 Mon, by

Zara June Williams – Fuse
COMA, Sydney

Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> Read more
访谈, 2020.11.14 Sat, by

British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper

(中文) 上海其他画廊十年拖欠艺术家近 44,000 英镑及作品 16 件 >> Read more
访谈, 2020.11.09 Mon, by

Garden of Six Senses Para-Site Hong Kong

(中文) 展览“一园六季”从“六季花园”这个真实存在于加德满都的园林出发,围绕着“景观”“土地”“身体”及“治疗”等多条线索,整理出了一份联结着地方历史与当下现实的档案。 >> Read more
访谈, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
艺术家档案, 2020.11.03 Tue, by

Võ An Khánh – When Documentary Photographs Are No Longer Mementos

Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient. >> Read more
艺术家档案, 2020.10.30 Fri, by

Thao Nguyen Phan’s Becoming Alluvium at Chisenhale Gallery, London

by Alice Gee Thao Nguyen Phan ‘Becoming Alluvium’ Chisenhale Gallery (64 Chisenhale Rd, Bow, London E3 5QZ) Sept. 26, 2020 – Dec. 6, 2020 Thao Nguyen Phan’s Becoming Alluvium, comprising a single-channel video and a series of lacquer and silk paintings, arrives at the Chisenhale Gallery in London after exhibitions in Brussels and Barcelona. In these […] >> Read more
艺术家档案, 2020.10.30 Fri, by

Xie Nanxing: “A Roll of the Dice”, Galerie Urs Meile Beijing

Galerie Urs Meile is pleased to announce the Xie Nanxing solo exhibition A Roll of the Dice. The exhibition unfolds around the artist’s recent thinking on “waiting” and “randomness,” presenting works from three series: What to Exhibit (2017), Seven Portraits (2018), and A Theater of Waiting (2019). >> Read more

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