randian | 燃点

(中文) 从2017年开始，美术馆增强投入，从每年3位艺术家增长至10多位艺术家，更在今年为驻留艺术家的创作专辟了展览与工作空间——A4国际艺术家驻留基地，并提出了“在地性”与“国际性”两个理念作为驻留项目的主题。

(中文) 摄影的魅力是观众的阅历体验与摄影师灵感的碰撞，观众在展览中找到某一种经历，某一种情绪的落脚点，达成共鸣，摄影的意义由此存在，展览的意义也在于此。

by Alice Gee Sifang Art Museum Shanghai pop-up (Jing’An District) 8 Nov.-8 Dec. 2019 I stand beside three large rings mounted on white platforms at equidistant intervals. Nik Kosmas is talking about 13 years ago and being 20 someplace else. ‘I’m 21!’ I blurt out. I edge back and hope one of Li Jingxiong’s tarpaulins […]

In 2019, Zheng Bo once again introduced the “workshop” into his exhibition Goldenrod held at the Institute of Contemporary Arts at New York University in Shanghai. “Eco-Socialist Garden” is a project that includes workshops, architectural models, and printed material. Zheng Bo invited a group of volunteers from different professional fields and divided them into two groups.

Legendary British artist Sara Lucas has come to China. A part of the Young British Artists generation, Lucas still maintains the spontaneous drive of that era in her work today.

What is their secret to first of all – a successful life together as a creative couple and – secondly successful careers independently from one another? – It is the chopstick approach: “mutual trust, equality and independence”.

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”.

Greco Grand Palais ( 3 Avenue du Général Eisenhower, 75008 Paris) Oct 16, 2019 – Feb 10, 2020 Ran Dian: So what was it like? * Thomas Eller: It was like walking around in a book. Not an exhibition. Interesting for historians though but with some really bad paintings, but revealing. There was one master piece, which […]