Mur Nomade presents ‘Recollections’
an exhibition by female artists Ana González, Ivy Ma and Nastaran Shahbazi and a short story by Cally Yu. >> Read more
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Mur Nomade presents ‘Recollections’
Hong Kong-based curatorial office and gallery Mur Nomade presents ‘Recollections’, >> Read more
Investigating Stuff: Ryan Gander Interview
“Artist” is irreplaceable and useless.This introduction to Ryan Gander is also useless. Where to begin even?
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Cui Xiuwen: a profile in time and space
One only has to look up at the Shanghai “Boogie Woogie” that agitates in fits outside and in myriad renewed metropolises throughout China, as much as anywhere else. Cui’s response is not to compete but to measure, not to define but to explicate, to process, to seek a rebirth. >> Read more
CREATING FOR THE FUTURE: THINKING ABOUT THE UNTHINKABLE
15 February – 19 April 2015 OPENING 14 February 2015 @ 19:00 @ MOMENTUM BERLIN On the Occasion of the 5th Birthday of LEAP Magazine MOMENTUM Presents LEAP LABS‘ Online & Print Exhibition Curated by Cao Dan and Li Zhenhua Web-site for the Online Exhibition Featuring: Aaajiao • Addie Wagenknecht • Bi Rongrong Chen […] >> Read more
The Rise, Fall, and Resurrection of Nasereddin Shah-e Qajar
The 2nd prize winning essay by Joobin Bekhrad, from the 1st edition of the International Awards for Art Criticism (IAAC). >> Read more
Where Jianghu Began: the Demimonde of Art in China
Some things have disappeared or changed, but some things can only exist within "jianghu", this wandering world of artists and misfits... >> Read more
An Acquired Taste?
A look at the mammoth solo exhibition of Wang Xingwei at UCCA, asking if the artist famous for his quotations in paint is an acquired taste, and what (in the Art World), this could mean.
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China in Venice
Artists, critics, and enthusiasts from the mainland, the territories, and the diaspora alike – doubtless alongside countless numbers of Sinophiles – will find Venice a welcoming second home this summer and autumn.
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You Build Us Up and Then You Tear Us Down: Eric Tabuchi’s “Monument to Progress”
Monumental architecture is simple. Its strict geometries of circles, squares and triangles; its complex arches or layers; or its great mass or height simply demand attention. But can a renowned building lose its esteemed position? >> Read more
