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2019.12.09 Monday, 文 /

刘广云个展《Liu Guangyun》在德国科隆Thomas Rehbein 画廊展出。

(English) In his work group Original Color (2016 - 2019), which consists of canvas pieces and expansive sculptural arrangements, Liu Guangyun decolorizes various garments and fabrics by using a bleaching agent. >> 更多
2018.11.12 Monday, 文 /

(English) Wade Guyton
Patagonia 2
Galerie Gisela Capitain
Cologne

(English) Galerie Gisela Capitain is delighted to announce an exhibiFon of twelve new painFngs by Wade Guyton. This is his third show at the gallery. >> 更多
2018.09.18 Tuesday, 文 /

(English) Monika Sosnowska
Urban Flowers
Gallery Gisela Capitain
Cologne

(English) Gallery Gisela Capitain is delighted to announce its fourth solo exhibition by Polish artist Monika Sosnowska. >> 更多
2018.06.11 Monday, 文 /

Ximena Garrido-Lecca
Gisela Capitain画廊,科隆

Gisela Capitain画廊呈现秘鲁艺术家Ximena Garrido-Lecca(1980年出生于秘鲁利马)于本画廊的首次个展。 >> 更多
2018.04.21 Saturday, 文 /

(English) Art Cologne 2018 opens

对不起,此内容只适用于English。 >> 更多
2018.04.18 Wednesday, 文 /

(English) MARCEL ODENBACH
Spuren sichern (Securing Evidence)
Galerie Gisela Capitain, Cologne

(English) Galerie Gisela Capitain is pleased to announce the exhibiEon Spuren sichern (Securing Evidence) with new works by Marcel Odenbach. >> 更多
2018.04.13 Friday, 文 /

Nagel Draxler宣布在科隆开设新空间

柏林画廊Nagel Draxler宣布,其在科隆的新空间将于4月18日开幕,首秀呈现纽约艺术家Egan Fra […] >> 更多
2020.07.26 Sunday, 文 /

制作中:艺术与电影中的工作场

Yonemoto兄弟的录像《好莱坞制造》是展览“制作中”最漫长的一件。 >> 更多
2020.05.28 Thursday, 文 /

2020希克奖:乌里•希克、香港M+美术馆馆长华安雅、获奖者杨嘉辉访谈

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多
2020.01.10 Friday, 文 /

(English) Ji Dachun
“Rain in rain, cloud in cloud, at no one’s fingertips”
Nagel Draxler, Berlin

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多

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