randian | 燃点

木木美术馆是由林瀚、雷宛萤（晚晚）夫妇创立的民营非营利美术馆，位于北京798艺术区核心区域，建筑前身为二十世纪50年代的军工厂。木木美术馆秉承全新理念，致力于在中国打造一个以“全球性”为基础的民营非营利艺术机构。 >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多

(English) ‘The power of holding two contradictory beliefs in one's mind simultaneously, >> 更多

(English) Simon Lee Gallery, New York, is pleased to present Password Revolt, a solo exhibition of new works by British artist Clare Woods. This show marks Woods’s first solo exhibition in New York since 2002 and represents a continuation of the themes addressed in her first exhibition, Rehumanizing, at Simon Lee Gallery, Hong Kong, in 2018. >> 更多

(English) Simon Lee Gallery is proud to present, for the first time in Asia, >> 更多

艺术+ 上海画廊本次举办的双个展“树林与仙境”主要呈现了艺术家庞云与李毓明的作品中优雅的树木，灰暗的天空和虚幻的风景。自然世界因其内生的秩序和原始的力量而一直激发人类的灵感，“树林与仙境”则是对这种传统的一种延续，它尝试探索将艺术、自然和思考融合于现代思维之中。 >> 更多

值2019德国画廊周之际，施博尔画廊很高兴呈现瑞安·甘德于本画廊举办的第二次个展。 >> 更多

“美术馆2050”是一个位于上海的交流平台，我们从微观的角度探讨国内外文化机构之未来。我们有一个明确的目标，既是为中国各地从事美术馆行业的年轻人提供一个交流的平台，通过分享想法创建一个充满活力的美术馆群体。 >> 更多

(English) Hell here is an opulent info overload, data is religion, A.I. is unhinged, google images are the panopticon of the gaoler-prisoner, miasma is Miami and resistance art is futile. I kept thinking of Kanye West's Monster track—but only the bits with Nicky Minaj. >> 更多