randian | 燃点

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

第六届广州三年展以“诚如所思：加速的未来”为题，将这篇开创性文本的深远影响延伸到艺术领域，以反映过去几十年来技术进步的轨迹及其在整个社会范围内的回响。 >> 更多

新时线媒体艺术中心（CAC）荣幸地宣布备受期待的展览“术问——刘小东、卡斯滕·尼古拉、白南准三人展” >> 更多

(English) In May 2014, the gallery opened a new space in Paris, with an exhibition of Albert Oehlen, thirty-three years after his first exhibition at Galerie Max Hetzler. >> 更多