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2015.11.17 Tuesday, 文 /

持续进行 – MoCA艺术亭台

瑞士艺术家Veronika Spierenburg于2015年10月作为瑞士文化基金会“跨领域项目”交流驻地艺术家来到中国上海。 >> 更多
2015.06.03 Wednesday, 文 /

(English) Color & Space – Ann Veronica Janssens and Katharina Grosse

(English) Two recent Berlin shows provide competing though equally compelling responses to the production line of abstraction currently dominant, or at least voluble, in New York. >> 更多
Think, 2016.05.31 Tuesday, 文 /

论马尔法之熵

在最近一次对马尔法的访问中,我发现自己陷入了对于贾德所热切追求的作品保藏之永久性与自然环境对作品的改变这两者间关系的沉思。
 

 
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评论, 2014.09.18 Thursday, 文 /

Hauser & Wirth画廊的田园追求

今年夏天的英国乡村一扫往年艺术界此时的平静。“我们爱上了所见之物。之后我们便开始了这一项目。” 伊万·沃思向《金融时报》解释他们寻找德斯拉德农场(Durslade Farm)的过程道。 >> 更多
评论, 2014.05.23 Friday, 文 /

少年巴塞尔与港岛梦

在今年的展览中,中低品质的艺术作品相比去年有了明显提升(更好的画廊,更少的媚俗作品),而展出作品总体来说风格保守——创新之作较为罕见。去年的实验性中国作品在今年展览中数量大大减少,而今年增加了不少的装饰性抽象作品...... >> 更多
访谈, 2018.02.02 Friday, 文 /

卡塔琳娜·格罗斯与上海K11艺术基金会的“鬼食泥”

(English) Katharina Grosse is one of the leading artists working in the area of Expanded Painting, a field, in every sense, that encompasses extremely divergent practices, yet which always share an interest in the physical fundamentals of painting and paint – hue, light, material, surface, production – to explore directly the nature of painting itself and the ways people experience it. >> 更多
访谈, 2017.12.13 Wednesday, 文 /

阿丽莎·柯维德
格物致新
余德耀美术馆,上海

余德耀美术馆将于 2017 年 12 月 17 日至 2018 年 4 月 1 日推出艺术家阿丽莎·柯维德在亚洲的首次个展“格物致新”。 >> 更多
访谈, 2017.12.09 Saturday, 文 /

阿丽莎·柯维德:格物致新
余德耀美术馆,上海

余德耀美术馆将于2017 年12 月17 日至2018 年4 月1 日推出艺术家阿丽莎·柯维德在亚洲的首次个展 […] >> 更多
访谈, 2017.05.14 Sunday, 文 /

(English) Art Brussels 2017

(English) The 35th edition of Art Brussels took place from 21 – 23 April and presented 145 galleries from 28 different countries. This is the second time the fair is located at Tour & Taxis, a vast former customs warehouse in the northern part of Brussels that was built at the turn of the 20th century when Belgium was rich off the back of its colonial exploitation of central Africa. >> 更多
访谈, 2017.04.21 Friday, 文 /

(English) ABHK 2017 UNREPORT

(English) Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions. >> 更多

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