(English) So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> 更多
(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多
(English) Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong. >> 更多
(香港,2017年1月10日)踏入新一年,Massimo De Carlo画廊现邀各艺术爱好者亲临观赏其首次举行的联合展览。此次展览由6位中国艺术家的作品组成,名为“在乌托邦与敌托邦之间”(Between Utopia and Dystopia) ,将于2017年1月19日至3月11日举行。
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(English) No matter how transient or imagined these ‘houses’ may be, they are, without doubt, residues of his ‘shelters’ in an on-going itinerary. >> 更多
(English) Singapore, November 2015 - ShanghART Gallery is pleased to present ‘ 7 SEVEN ’ – a group exhibition by 7 artists – Birdhead, Chen Xiaoyun, Liang Shaoji, Shao Yi, Wang Youshen, Xu Zhen / MadeIn, Zhu Jia, in Singapore from 21 st November 2015 to 10th January 2016. >> 更多