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(English) Galerie Urs Meile is pleased to announce the Xie Nanxing solo exhibition A Roll of the Dice. The exhibition unfolds around the artist’s recent thinking on “waiting” and “randomness,” presenting works from three series: What to Exhibit (2017), Seven Portraits (2018), and A Theater of Waiting (2019). >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

(English) Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> 更多

对不起，此内容只适用于English。 >> 更多

Esther Schipper画廊呈现马丁·博伊斯于本画廊的首次个展“光倾泻而出”。 >> 更多

杨嘉辉在马凌画廊（上海）的2018年个展题为“马路如虎口”。 “马路如虎口”是一句香港市民耳熟能详的口号，它来自1990年代一首政府宣传交通安全的儿歌。杨嘉辉是一位接受过专业作曲训练的跨学科艺术家，2013年获得美国普林斯顿大学音乐作曲的博士学位。 >> 更多

(English) Simon Lee Gallery is proud to present a survey of paintings and works on paper by Yun Hyong-keun. >> 更多

《东行记》 展览呈现了两位极具影响力的专题和纪实摄影师典范——布莱恩·布瑞克和史蒂夫·麦凯瑞的作品。布瑞克和二十年后的麦凯瑞以摄影见证时事，用图片讲述故事，成为了声名远播的视觉叙事者。 >> 更多

理查德·塞拉（Richard Serra）是当代最顶尖的艺术家之一，他以大型场域特定的雕塑而闻名，同时在数十年的艺术生涯中也坚持不懈地创作绘画作品。自1971年起，塞拉开始以油漆、蜡和颜料压制而成的黑色画笔作画，其作品的特色是坚决不带半点隐喻或情感，唯当中表现出时间、物质和过程的观念。 >> 更多