(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多
(English) America My Hometown traces Edward Kienholz’s formative years (1954-1967), showing an artist coming to terms with both his unique vision and the social climate of the US throughout this tumultuous era. The work is direct and raw in its execution, as well as unsparingly critical of the political problems of twentieth-century America. >> 更多