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2018.07.03 Tuesday, 文 /

锵锵 2018——狮語画廊女性艺术家联展第六回,上海

狮語画廊上海空间将于2018年7月8日,隆重呈现"锵锵2018 | 女性艺术家联展",展览也是狮語画廊十周年重要活动之一。 >> 更多
Extra, 2014.08.20 Wednesday, 文 /

《男艺术家与女艺术》:王克平与艾未未在纽约的一次艳遇

《男艺术家与女艺术》(双语言独幕剧):王克平与艾未未在纽约的一次艳遇,王克平编剧
 
 
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思考, 2021.05.11 Tuesday, 文 /

摄影之“空”:“摄-影”的诗哲学反思:卡别耶拉·莫拉维茨与李圭的圆桌对话

《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日 组织者:画儿,see […] >> 更多
访谈, 2020.12.16 Wednesday, 文 /

(English) Ashley Bickerton
Seascapes At The End Of History

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多
艺术家档案, 2020.10.11 Sunday, 文 /

“权利:就是写________”:
亦步亦趋中的民之书法

我走进,漫步于这个昏暗的,共创棚屋。这是一种内在的大地(χώρα):一种在城邦(polis)之外的领土,但是同时作为一种不可见的腹地根植其中——正在容纳屋子的屋子。 >> 更多
艺术家档案, 2020.09.01 Tuesday, 文 /

展示与讲述: 曹雨的性别化象征

曹雨的作品极简、观念,且蓄意挑衅,这是她对材料的物性进行考量之后的发挥,从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质,包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多
艺术家档案, 2020.07.26 Sunday, 文 /

张子飘个展:春光乍泄,北京空白空间

我们高兴地宣布,张子飘在空白空间的第二回个展“春光乍泄”将在2020年7月18日于线下展览空间与线上虚拟展厅“spaces”同期开幕。 >> 更多
艺术家档案, 2020.06.17 Wednesday, 文 /

柳溪 Paradox

(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多
艺术家档案, 2020.03.07 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多
艺术家档案, 2020.02.08 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多

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