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2014.09.09 Tuesday, 文 /

《楚門的世界》程展緯- 安全口

安全口畫廊呈獻與程展緯合作的第一個個展《楚門的世界》,這亦是他在香港相隔七年再度舉辦的個人展覽。 >> 更多
2020.11.14 Saturday, 文 /

上海一家画廊令英籍华裔艺术家张逸斌损失惨重

上海其他画廊十年拖欠艺术家近 44,000 英镑及作品 16 件 >> 更多
2020.09.03 Thursday, 文 /

(English) Takashi Murakami:“Michel Majerus Estate”

(English) The Michel Majerus Estate is delighted to present Takashi Murakami: Michel Majerus Superflat, curated by Tobias Berger. >> 更多
2020.04.20 Monday, 文 /

(English) The End of the World

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多
2019.07.17 Wednesday, 文 /

(English) restaged
Klemm’s, Berlin

(English) This visual essay combines footage from a series of musical performances, both private and public, >> 更多
2019.06.26 Wednesday, 文 /

(English) restaged
KLEMM’S

(English) My Ecstasy is Your Rapture, 2019 >> 更多
2019.06.17 Monday, 文 /

黄静远:感情基础

静远似乎更情愿从作为“创作者”的艺术家退居为作为“观察者“的艺术家,以一种事无巨细,现实主义式的,迂回细致的手法切开艺术圈的脉搏。 >> 更多
2019.05.20 Monday, 文 /

(English) Manuel Ocampo
Ideological Mash-Up/Remix
STPI Gallery, Singapore

(English) Responding to a global culture of image production and consumption in flux, >> 更多
2019.05.08 Wednesday, 文 /

里森画廊
瑞安·甘德”我看到你正在进步”

这是瑞安·甘德(Ryan Gander)继2017年在收藏家周大为的Cc基金会成功举办个展“人类/非人类/破损/非破损”之后第二次在中国举办个展。 >> 更多
2019.03.08 Friday, 文 /

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

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