千高原艺术空间是一个设立在中国成都的主要致力于当代艺术的机构,千高原艺术空间设有艺术作品展示厅,影像资料收藏和放映室,以及完备开放的网络文献库。
千高原艺术空间主要研究、展示和推动与中国当代艺术文化相关的优秀作品和实验性主体项目,致力于构架艺术家和社会、机构、收藏者之间的沟通渠道,积极开展国内、国际的合作项目。
千高原艺术空间主要展示和推出成长中的有突出才能和价值的艺术家的作品和项目,并发现和推动新的有创造力的艺术家。提供包括量身定做的艺术项目、艺术作品销售、收藏品咨询管理、艺术教育项目以及展览策划。

Yang Shu, “Untitled No.12”, Acrylic and Oil Pastels on Digital Printing, 80×100cm, 2014
杨述,《无题 No.12》,数码喷绘、丙烯、油画棒,80×100 cm,2014

Yang Shu, “Untitled No.18”, Acrylic and Oil Pastels on Digital Printing, 80×100cm, 2014
杨述,《无题 No.18》,数码喷绘、丙烯、油画棒,80×100 cm,2014

Yang Shu, “Untitled No.2”, Acrylic and Oil Pastels on Digital Printing, 80×100cm, 2014
杨述,《无题 No.2》,数码喷绘、丙烯、油画棒,80×100cm,2014

Li Lang, “Father 1927.12.03 – 2010.08.27”, My Father’s Last Portrait C, Archival Pigment Print with Pencil Writing, Internal Dimension: 107.8×106.6cm, External Dimension: 111.5×110.2cm, 2010-2013
黎郎,《父亲 1927.12.03-2010.08.27》之父亲最后的肖像 C,艺术微喷、铅笔书写,画心:107.8 ×106.6cm,外尺寸:111.5×110.2cm,2010-2013

Li Lang, “Father 1927.12.03 – 2010.08.27”, Father’s pension: 32,136 RMB, Archival Pigment Print with Pencil Writing, Internal Dimension: 107.8×106.6cm, External Dimension: 111.5×110.2cm, 2010-2013
黎郎,《父亲 1927.12.03-2010.08.27》之父亲的抚恤金:32,136 元,艺术微喷、铅笔书写,画心: 107.8×106.6cm,外尺寸:111.5×110.2cm,2010-2013

Li Lang, “Father 1927.12.03 – 2010.08.27”, Body A, Archival Pigment Print with Pencil Writing, Internal Dimension: 107.8×106.6cm, External Dimension: 111.5×110.2cm, 2010-2013
黎郎,《父亲 1927.12.03-2010.08.27》之身体 A,艺术微喷、铅笔书写,画心:107.8×106.6cm, 外尺寸:111.5×110.2cm,2010-2013

Yu Ji, “Can’t See its Own Face No.3”, acrylic on canvas, diameter 60 cm, 2009
余极,《无法看到自己的脸 No.3》,布面丙烯,直径 60 cm,2009

Chen Jianjun + Cao Minghao, Dialogic Artistic Project, The Project of Water and Well—Co-operative and Re-visualization of the Originary Site, Photograph, 99×66cm, 2013
陈建军+曹明浩,对话性艺术项目水与井计划——合作与重见现场,图片,99 × 66 cm,2013

Chen Jianjun, Cooperative Art Project Village Politics Being Watched, A Layer of White Pape, Performance Picture, 2011
陈建军,合作艺术项目《昆山在造》之白纸层,行为图片,2011

Chen Jianjun, Art-involved Project A New Way to Explore Liangshan Village, The Guiding People, Video/ Digital Photography, Colored, Voiced, 20min30sec, 2012
陈建军,介入性研究项目《梁山路径》之带路人,录像/数码摄影,彩色/有声,20分钟30秒,2012

He Yida, “Tie Up Loose Ends”, Installation, Clay, Flannel Ties, Elastic, Capillary Steel Pipe, Size Variable, 2014
何意达,《有始有终》

Chen Qiulin, “14235”, installation, ceramics,size variable,2014, installation shot
陈秋林,《14235》,装置,陶瓷,22×120×74 cm,2014,现场图

Chen Qiulin, “Marshals·He Long”, Sculpture, Wastepaper Pulp, 122×123×65 cm, 2012
陈秋林,《元帅·贺龙》,纸浆雕塑,122×123×65 cm,2012

Liu Chuanhong, “Memoir in Southern Anhui, Act 2, Scene 4”, oil on canvas,494×43 cm,2014
刘传宏,《皖南纪事,第二幕第四场》,布面油画,494×43 cm,2014

Liu Chuanhong, “Memoir in Southern Anhui, Act 2, Scene 9”, oil on canvas,501×43 cm,2014
刘传宏,《皖南纪事,第二幕第九场》,布面油画,501×43 cm,2014

Zou Sijin, “Confrontation”, oil on canvas, 50×60cm, 2014
邹思妗,《对峙》,布面油画,50×60cm,2014

Zou Sijin, “Maiden’s Curiosity about death”, oil on canvas, 60×60cm, 2014
邹思妗,《少女,对死神的好奇》,布面油画,60×60cm,2014

Xiong Yu, “Blue Fores”, oil on canvas, 90×70cm, 2014
熊宇,《蓝树林》,布上油画,90×70cm,2014

Xiong Yu, “2014 Memory Guide”, oil on canvas, 50×50cm, 2014
熊宇,《2014记忆指南》,布上油画,50×50cm,2014