randian | 燃点

Following successful treatment programs at Tate Modern, […]

我则迫不及待想直奔乔丹·沃尔夫森那件拴着铁链的匹诺曹，双眼闪闪发亮的木偶回瞪着观者，散发着蔑视反抗和精神病态的奇幻。

夏至首日，陈天灼为柏林带来他混杂微妙的艺术，庄周梦蝴的世界。

(English) “What’s wrong with it? I think it is cute, naive and totally harmless decoration bought by people who like just that. I think it is a case of very successful communication.”

(English) On very rare occasions an artist has the pleasure of showing artworks in the perfect place for them. Early this year Yuan Yuan (b.1973) was invited to spend time at Palazzo Terzi, which has been in the same family for over 500 years.

对我而言海是暴君。从小我就站在海边，望着这片狰狞。我终不能跳进大海，成为海，因此我诅咒大海的暴虐，深海龙王的臂弯，轻而易举的就能把幸存者的脊背折断。父亲的鱼塘是另一片浮动，没有风。

(English) Bitzer combines painting and drawing – often a mix of portraiture and architectural scenes – with a precisely customized scenography for the exhibition location. Individual works interact with one another and their setting, playing on how when we move through exhibitions, walls and corners obscure and occlude views of different works.

《王冬龄：诗与画》展览已于2018年2月28日在纽约前波画廊开幕。那一周王冬龄在纽约进行了三场公开书法表演，为有幸来到现场的观众展示了为何书法在中国一直占据着比其他视觉艺术形式更崇高的地位。