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2021.03.10 Wednesday, 文 /

首届「桃源国际艺术奖」46国600多件作品

由台湾桃园市立美术馆办理的「2021桃源国际艺术奖」,于去年征件期间广泛得到来自世界各地艺术创作者的关注,总计征得46国604件作品参赛。经国际评审团评选出17件入围作品,将于3月13日起在桃园展演中心展出,开幕当日也将举办颁奖典礼,并揭晓首奖及其他奖项得主。目前兴建中的桃园市立美术馆,通过各种艺术活动为未来的营运暖身,馆舍更由日本的山本理显设计工场和台湾的石昭永建筑师事务所连手规划,结合周围自然环境与小区的「山丘」造型,完工后势必將成为台湾又一处重要的艺术殿堂。 >> 更多
2020.12.26 Saturday, 文 /

世纪·浪潮——2020海花岛国际艺术邀请展召开首次媒体见面会

本次展览将展出包括希腊、法国、韩国、喀麦隆、美国、日本、泰国、委内瑞拉、新加坡、伊朗、意大利、印度、英国、越南、中国在内的23个国家80多位艺术家共计140余件套作品,汇集了不同文化背景下的艺术创作。 >> 更多
2020.09.30 Wednesday, 文 /

(English) CCA Singapore Online Benefit Auction – Live Now!

(English) Online Benefit Art Auction for NTU Centre for Contemporary Art Singapore Bidding Period 1 – 18 October >> 更多
艺术家档案, 2020.09.01 Tuesday, 文 /

展示与讲述: 曹雨的性别化象征

曹雨的作品极简、观念,且蓄意挑衅,这是她对材料的物性进行考量之后的发挥,从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质,包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多
访谈, 2020.06.16 Tuesday, 文 /

(English) Simon Mordant
Contemporary Collector, Modern Philanthropist

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多
访谈, 2020.05.09 Saturday, 文 /

吳季璁於越南西貢成立新工作室

(English) Recently, Wu Chi-Tsung has set up a new studio in collaboration with Vietnamese artist Cam Xanh in Saigon, Vietnam as a significant step of his internationally-minded exploration. >> 更多
访谈, 2020.04.20 Monday, 文 /

(English) The End of the World

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多
访谈, 2020.01.15 Wednesday, 文 /

(English) Gallery Weekend Kuala Lumpur 2019

(English) The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> 更多
访谈, 2020.01.10 Friday, 文 /

(English) Ji Dachun
“Rain in rain, cloud in cloud, at no one’s fingertips”
Nagel Draxler, Berlin

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多
访谈, 2019.10.05 Saturday, 文 /

(English) Hoon Kwak
Halaayt: Passages of Transcendence
Pearl Lam Galleries, Hong Kong

(English) Hong Kong—Pearl Lam Galleries is delighted to present Korean artist Hoon Kwak’s first Hong Kong solo exhibition >> 更多

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