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2016.07.02 Saturday, 文 /

(English) STPI Gallery presents ‘Zao Wou-Ki: No Boundaries’

(English) STPI Gallery is pleased to present 'Zao Wou-Ki: No Boundaries', an extraordinary selection of over 40 prints, ink works, watercolours and paintings by the late French-Chinese abstract painter, on loan from a private collection. >> 更多
2016.06.17 Friday, 文 /

OCAT西安馆2016夏季展览

在OCAT西安馆夏季展览所呈现的三个项目中,每一位艺术家都试图与西安的文化遗产发生历史与文化方面的关联。”感觉感觉 ”,作为夏季展览的重要组成部分,呈现了现驻北京的新疆抽象艺术家安尼沃尔的新作品,其中所运用的羊毛毡地毯制作技术可以追溯至丝绸之路的贸易时期。 >> 更多
2016.03.16 Wednesday, 文 /

之間 – 澳大利亚中国当代艺术基金会

猴年伊始,澳大利亚中国当代艺术基金会(ACAF)上海艺术空间迎来了新年的第一个展览,同时ACAF艺术驻留项目也在继续并扩展。 >> 更多
2016.03.03 Thursday, 文 /

(English) Galerie Perrotin New York
ERRÓ
“Paintings from 1959 to 2016”

(English) Galerie Perrotin, New York is pleased to present the first exhibition dedicated to Icelandic artist Erró (Ólafsvík, 1932), a prominent figure of Pop art and Figuration Narrative in postwar Europe, with an ensemble of 15 paintings made between 1959 and 2016. >> 更多
2015.11.27 Friday, 文 /

(English) Marlborough Fine Art

(English) Marlborough Fine Art was founded in 1946 by Frank Lloyd and Harry Fischer who had emigrated from Vienna to England shortly after the outbreak of war. >> 更多
2015.09.17 Thursday, 文 /

(English) Nam June Paik: The Late Style (1996–2006)

(English) Randian is pleased to share an essay by leading Nam June Paik scholar, John G. Hanhardt, commissioned by Gagosian Gallery for the exhibition catalogue. >> 更多
2015.04.30 Thursday, 文 /

(English) Crime and Production—A journey around Brussels and its galleries

(English) We begin at the Courts of Justice, which were built on the hill overlooking The Marolles district to intimidate the poor who lived there. Now there is a lift to take you straight down, or up, depending on your inclination. >> 更多
2015.04.26 Sunday, 文 /

迈克尔·沃尔夫 《巴黎屋顶》-M97项目空间

M97荣幸地宣布新展《巴黎屋顶》,这是摄影艺术家迈克尔·沃尔夫的最新系列作品。 >> 更多
2015.01.30 Friday, 文 /

奥沙艺术基金呈献 - 正如金钱不过纸造,展厅也就是几间房

讲座及新书发布| “重印”项目:《我们谈谈钱——上海首届国际传真艺术展1996》 >> 更多
2015.01.14 Wednesday, 文 /

讲座:激进何为?

「激进」一直为现当代艺术中最为引人注目的部分。于当代艺术语境中,「激进」处于什么位置?我们又是否需要「激进」?除此之外,艺术品除了它的商业价值外还可有何地位?展览于艺术家的意义又如何? >> 更多

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