randian | 燃点

(English) Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> 更多

我走进，漫步于这个昏暗的，共创棚屋。这是一种内在的大地（χώρα）：一种在城邦（polis）之外的领土，但是同时作为一种不可见的腹地根植其中——正在容纳屋子的屋子。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

(English) I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> 更多

我们很难体会到“佛系青年”的力量指向哪里，如果非要指出一个去向的话，只要存在被现实压抑的个体以及无所适从的表达，这种弱抵抗的方式就会再次出现。 >> 更多

(English) The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> 更多

在社会意义上的艺术活动应该实现什么，如何与世界和人群保持足够强的联系，常常成为一种艺术家的创作迷惘 >> 更多

从艺术创作的角度讲，创作者需要在“普世化的女性艺术”的前提下自然而然地展示自己的视角，萨拉卢卡斯式的“即兴”创作方式即是在践行这种视角，避免自我“她者化”的存在。 >> 更多

(English) 303 Gallery is pleased to announce our twelfth solo exhibition of the work of Karen Kilimnik. Throughout the gallery, >> 更多