randian | 燃点

在这个发刊派对上我们将介绍本书中的一些议题并主要围绕一元论、二元论以及它们对我们的生活，环境，政治和共生生命 - 物质和非物质意义展开讨论。 >> 更多

“制性造别” 将以展览、论坛、工作坊和出版物结合的方式，针对性别（gender）相关议题发起讨论和展演。 >> 更多

臺北市立美術館（北美館）經歷充分的內外部研究諮詢評估以及二階段推薦過程，宣布由吳瑪悧與范切斯科．馬納克達（Francesco Manacorda）共同擔任第十一屆2018台北雙年展策展人，展覽預計聚焦人與自然兩者間生態結構的雙向連結。 >> 更多

(English) A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin’s utopian short story “Zhongguo 2185”, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. “Zhongguo 2185” envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains—Chairman Mao’s. >> 更多

在学术界，革命和激进的思想是通过与学者和学术传统的某种约定（engagement）实现的，而这些学者和传统则来自于受到册封的过去。当代人阅读、或者更为通常的情形是重读旧文，从而产生了无法落入这些文本之主流被接受情形的“新”解读。 >> 更多

(English) CAC Summer Reading Camp: Chthulucene, After Life, Hyperobject >> 更多

(English) “If you glance through your botanical books, you will see often added to certain names – ‘a troublesome weed’. >> 更多

香港Simon Lee畫廊呈獻三位藝術家Sarah Crowner、Caitlin Keogh、Paulina Olowska的新作展覽。這三位藝術家之間的情誼和共同興趣，與她們各自大相徑庭的繪畫取向、圖像製作方法，以至作品中敘事內容與抽象及具象的連繫，均形成強烈對比。 >> 更多

(English) Simon Lee Gallery Hong Kong is pleased to present an exhibition of new work by three artists whose links of friendship and common interest contrast sharply with their widely divergent approaches to painting, strategies of image making and the relation of narrative content in their work to the field of abstraction and figuration. >> 更多

身在倍感艺术家已然变得过分民主的年代，比利时艺术家吕克·图伊曼斯（Luc Tuymans）仍紧贴他随着时间修炼得愈发纯熟的方法—如他所言，幸运地从未经历过哪怕一瞬的“创作瓶颈”。 >> 更多