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2020.03.07 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多
2020.02.08 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多
2020.01.13 Monday, 文 /

(English) Travelling from the corners of East Java to a 19th century church in Islington, Edouard Malingue Gallery (Hong Kong, Shanghai) is thrilled to present ‘Madakaripura’ the first solo presentation in London of the Indonesian collective Tromarama (est. 2006, Bandung). Marking the last exhibition in the gallery’s temporary project space, Tromarama transport us to a historical waterfall, which is believed to be the last place where Gajah Mada (c. 1290 - c. 1364) - a central figure in Indonesian culture who used to be a Mahapatih or Prime Minister in the Majapahit empire - meditated before he reached Moksa, a term for various forms of emancipation and enlightenment >> 更多
2019.10.14 Monday, 文 /
2019.08.27 Tuesday, 文 /

(English) The (un)-related Sceneries
Richard Koh Fine Art

(English) Richard Koh Fine Art (RKFA - SG) is pleased to announce Wong Perng Fey’s (b. 1974) solo exhibition in Singapore. >> 更多
2019.08.06 Tuesday, 文 /

(English) Clare Woods: Doublethink
Simon Lee Gallery,London

(English) ‘The power of holding two contradictory beliefs in one's mind simultaneously, >> 更多
2019.07.17 Wednesday, 文 /

(English) Entitlement
Richard Koh Fine Art

对不起,此内容只适用于English。 >> 更多
2019.06.22 Saturday, 文 /

启示
厐壔
藝術⾨

⾹港──藝術⾨(⾹港畢打⾏)榮幸呈獻中國藝術家厐壔個展「啟⽰」, >> 更多
2019.05.20 Monday, 文 /

(English) Manuel Ocampo
Ideological Mash-Up/Remix
STPI Gallery, Singapore

(English) Responding to a global culture of image production and consumption in flux, >> 更多
2019.05.02 Thursday, 文 /

(English) Tobias Rehberger
‘If You Don’t Use Your Eyes To See
You Will Use Them To Cry’
RAM Shanghai

(English) Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> 更多

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