randian | 燃点

(English) Internet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting. >> 更多

仪式是心理精神的稳定器，是超越生命的内在节拍器，是存在于其自身转变之中的一种变革。在这个过程里，你弹性地来回于不同的场景之间，哪怕这种弹性十分微小。当你栖身于某一仪式里，你便会通过一道间隔和缝合奇特的切口而存在于时间的进程之中。 >> 更多

值2019德国画廊周之际，施博尔画廊很高兴呈现瑞安·甘德于本画廊举办的第二次个展。 >> 更多

(English) Blain|Southern Berlin presents two major bodies of works from the last decade by conceptual artist Bernar Venet (b. 1941, France). >> 更多

(English) Bernard Piffaretti's works and his artistic approach are among the central positions in the multifaceted field of painting and the constant discourse about the nature, >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

空气中漂浮的细微花粉随着声响宛如活物般地颤抖。 >> 更多

(English) Richard Koh Projects (RKProjects) is pleased to announce The Last State, a solo exhibition by Trong Gia Nguyen at Richard Koh Projects, Unit A, 3rd Floor, N22 Art Warehouse, 2198/10-11 Narathiwas Road Soi 22, Chong Nonsi, Yannawa, 109210 Bangkok, Thailand from 1 – 20 December 2018. The opening reception will be held on 1 December 2018 (Saturday), from 5 – 8pm. >> 更多

上海外滩美术馆于2018年11月9日到2019年2月24日举办比利时艺术家弗朗西斯·埃利斯（Francis Alÿs）在中国的首次大型个展——“消耗”，本次展览由长谷川祐子（Yuko Hasegawa）策划。 >> 更多

胶囊上海很荣幸地宣布举办艺术家王海洋的个展《王海洋》，展出他最新的实验性作品，展览从2018年11月3日持续至12月25日。 >> 更多