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访谈, 2020.11.03 Tuesday, 文 /

维尔纳·巴特纳与坏画的诞生

维尔纳·巴特纳,改变了八十年代的德国狂野画家。 >> 更多
访谈, 2020.10.30 Friday, 文 /
Artist profiles, 2020.09.23 Wednesday, 文 /

戴面具的人
韩峰新作点燃的故事

男人们蹦跳呼喊,穿着满是织花的衣服从旁进过,他们的身体分化成飞舞的颜色。安迪愣了片刻才意识到,这些男人通红肿胀的脸和黑色空洞的眼睛是木质的面具。 >> 更多
Artist profiles, 2020.08.20 Thursday, 文 /

(English) Qiu Shihua: “Empty / Not Empty”

(English) Galerie Urs Meile takes great pleasure to announce the opening of Empty / Not Empty, Qiu Shihua’s (*1940, lives and works in Beijing, Sacramento and Shenzhen) first appearance since his last show seven years ago in our gallery in Lucerne. >> 更多
Interviews, 2020.06.16 Tuesday, 文 /

(English) Simon Mordant
Contemporary Collector, Modern Philanthropist

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多
Interviews, 2020.04.23 Thursday, 文 /

张培力《关于强迫症的年度报告》(仁庐空间)

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多
Interviews, 2020.04.22 Wednesday, 文 /

(English) We Move Among Ghosts
Jakarta Exhibition Explores the Ephemeral Nature of Values, Symbols, and Systems

(English) I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> 更多
Interviews, 2020.04.20 Monday, 文 /

(English) The End of the World

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多
Interviews, 2020.03.16 Monday, 文 /

陈天灼 “后台男孩”

陈天灼以行为艺术最为出名,自称为“后台男孩”,他从观者的角度审视自己的艺术,并“消失在自己的作品中”。 >> 更多
Interviews, 2019.11.24 Sunday, 文 /

萨拉·卢卡斯:即兴的女权

从艺术创作的角度讲,创作者需要在“普世化的女性艺术”的前提下自然而然地展示自己的视角,萨拉卢卡斯式的“即兴”创作方式即是在践行这种视角,避免自我“她者化”的存在。 >> 更多

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