randian | 燃点

年轻艺术家黄然凭借短片《对荣耀的管理》（The Administration of Glory）入围2014年第67届戛纳电影节短片竞赛单元，从来自128个国家的3450部作品中脱颖而出，登上只有9部短片构成的入围名单。 >> 更多

从严肃到幽默，从偷窥到观察，从真实到想象，《霾》通过描绘当今大都市的快速建设，呈现了另一种当今中国的集体身份，尤其指向对城市乌托邦的缺乏，与挣扎在现代坟墓之中的矛盾，一座21世纪的“鬼城”。 >> 更多

(English) Cinema Total’s special focus in 2014 is the intersection of film and video art. This panel explores the increasingly osmotic borders between film and video art, which find more filmmakers creating gallery-based work and artists making works inspired by cinema and its methods. >> 更多

当影像成品以集合方式集中展映时，一方面依旧凸显其“微”，另一方面却内蕴了非常态的“先锋”性。此次在K11的影像放映，就是一个这样的“先锋微影展”。 >> 更多

(English) Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> 更多

(English) Supervised by the Ministry of Culture, the National Taiwan Museum of Fine Arts (NTMoFA) presents the biennial celebration of Asian contemporary art – the 8th Asian Art Biennial, which opens on October 30. >> 更多

对不起，此内容只适用于English。 >> 更多

2021年6月20日至9月7日，山中天艺术中心将呈现展览“做更好的人——新一代的工作方法 新工作、新身份、新方 […] >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

对不起，此内容只适用于English。 >> 更多