randian | 燃点

馬凌畫廊隆重宣佈將為孫遜舉辦矚目的個展﹣『美麗新世界』。 >> 更多

五五很高兴宣布：徐平将在上海呈现他的首个个展《纸落云烟》。 >> 更多

经过长期准备，最终确定徐冰个展《桃花源的理想一定要实现》将于11月2日在英国伦敦维多利亚和阿尔伯特美术馆(V&A)的约翰马德斯基花园举办。与此同时开幕的展览是《700—1900年的中国绘画精品展》。 >> 更多

(English) Supervised by the Ministry of Culture, the National Taiwan Museum of Fine Arts (NTMoFA) presents the biennial celebration of Asian contemporary art – the 8th Asian Art Biennial, which opens on October 30. >> 更多

我走进，漫步于这个昏暗的，共创棚屋。这是一种内在的大地（χώρα）：一种在城邦（polis）之外的领土，但是同时作为一种不可见的腹地根植其中——正在容纳屋子的屋子。 >> 更多

北京UCCA尤伦斯当代艺术中心呈现当代绘画领军人物伊丽莎白·佩顿中国首展。 >> 更多

(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多

(English) Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> 更多