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(English) A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin’s utopian short story “Zhongguo 2185”, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. “Zhongguo 2185” envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains—Chairman Mao’s. >> 更多

馬凌畫廊將於今年二月榮幸地推出藝術家黃炳在香港的第二次個展《你要熱烈地親親爹哋》(Who's the Daddy)。 >> 更多

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(English) Since Kukje Gallery opened at the center of Seoul in 1982, it has been committed to presenting the work of the most current and significant Korean and international contemporary artists. >> 更多

(English) Since it was established in 1980, Chantal Crousel gallery has been revealing and accompanying the work of artists of highly diverse origin to the French and international art world of collectors and institutions. >> 更多

自1980年画廊成立以来， Chantal Crousel Gallery（尚塔尔・克罗塞尔画廊）一直致力于向法国、国际艺术收藏者和艺术机构推荐各种不同艺术家的作品。这些艺术家对艺术核心价值的探索为当代艺术奠定了基础。 >> 更多

巴黎家居装饰博览会总裁菲利普·布罗卡尔谈论为何引领世界潮流的室内设计盛会扩展至新加坡和迈阿密海滩，以及艺术如何成为其成功的关键。 >> 更多

(English) As celebrations abound for Singapore’s 50th jubilee, STPI kick starts the year with “Imprint: New Works by Suzann Victor”—a bountiful showcase of the artist’s profound creations in print methods and materials that differ from her customary use of theatrical devices, kinetic mechanisms, performance installations and object experimentations with the body, chandeliers and light. >> 更多

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展览将联合中国国家博物馆举办的黄致阳同名个展呈献艺术家的最新作品。这两场展览甄选了黄致阳以巨型动植物群为母题的《北京生物》系列中两张巨幅新作...... >> 更多