randian | 燃点

Leo Gallery Hong Kong is pleased to present Chinese artist Han Jinpeng's solo exhibition "Disturbed Emotion", with an array of his most representative works. >> Read more

ShanghART is pleased to announce Tang Maohong’s solo exhibition “Riverbed” at ShanghART Beijing, opening on September 16, 2017. The art works in this exhibition were inspired by his interests in image mass production after “Exclave Con”. The art works of the exhibition start from a fictional event made up by Tang Maohong: a group of […] >> Read more

Zheng Bo is not a prolific artist. He maintains a certain distance from art circles, yet he has studied and practiced socially engaged art and social engagement for over a decade.
 
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After two years of important and impressive shows, this exhibition at Almine Rech is telling us that now has become Julian Schnabel’s time. >> Read more

Schnabel said it: he likes to "engage in something that is the antithesis of reason." >> Read more

Equator Art Projects is pleased to present the first solo exhibition of Srihadi Soedarsono’s work in Singapore. Seven new paintings in oil on canvas will be displayed in the Main Gallery. >> Read more

Thoughts on curators imposing subject matter. >> Read more

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more