randian | 燃点

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

Dressed in casual clothing, Katsuki Nogami’s Namada Taro citizens move and act like humans; >> Read more

Simon Lee Gallery is proud to present for the first time in Asia, >> Read more

Rockbund Art Museum is proud to present its latest group exhibition, “Tell Me a Story: Locality and Narrative.” >> Read more

The Ullens Center for Contemporary Art (UCCA) is proud to present “Rauschenberg in China”. On view in UCCA’s Great Hall from 12 June to 21 August 2016, >> Read more

Clinton, NY – The vignettes depict a leering man with a pig’s snout, another in a rumpled suit, a hunchback hag with a snaggle-toothed grin, and a peasant with a jowly frog face, all protagonists in Yun-Fei Ji: >> Read more

What are young Chinese artists doing in New York? This is an interesting question.The artists, with background like this, are likely to be expected to conform to a specific, predictable worldview, focused on several Chinese styles, as spokespersons for a singular cultural or social identity. >> Read more

Perhaps the most misunderstood work at dOCUMENTA (13) was Yan Lei’s “Limited Art Project,” the reaction founded on preconceptions and prejudices about Chinese art – particularly painting – lazily assuming it merely riffs on Western clichés, that it is derivative and repetitive. >> Read more