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2016.10.13 Thu, by

Frieze Masters (you know you want it)

There is an added frisson from thinking it's all there for the taking—you just have to want it badly enough and with a confident smile, whip out your Amex Centurian card. >> Read more
2015.10.22 Thu, by

Frieze Masters 2015

A report on the fair called “Masters” for a reason. >> Read more
2014.11.20 Thu, by

2014 Frieze London, Frieze Masters, and around London

Frieze is looking very intensely to China, so maybe we can look forward to a tent on Tian An Men square. >> Read more
2017.10.12 Thu, by

Park Life—Frieze London 2017

ShanghART had a standout solo-presentation of Liang Shaoji (museums everywhere take note: we need to see a major retrospective of Liang Shaoji). BANK (Shanghai) was present at Frieze Masters with a presentation of Maryn Varbanov's woven sculptures and Antenna Space brought a series of paintings by Cheng Xinyi. >> Read more
2016.10.13 Thu, by

Frieze after Brexit

Frieze looked good. There was much less of the not-so-good stuff and less garish art than in previous years. It was more brainy and subtle. And there were buyers! >> Read more
2016.01.23 Sat, by

Frieze New York Returns to Manhattan, Marking Frieze’s 25th Anniversary Year

The fifth edition of Frieze New York returns to Randall’s Island Park, Manhattan from May 5–8, 2016. >> Read more
2015.10.22 Thu, by

Frieze London 2015

Chris Moore reports on the most "English" of fairs >> Read more
Extra, 2014.09.03 Wed, by

Frieze Begs Questions in Beijing

On Saturday, CAFAM was host to an afternoon with Frieze magazine, raising questions about publishing on art in China.
 
 
>> Read more
Extra, 2017.07.30 Sun, by

TOM WESSELMANN
Almine Rech Gallery, London

Almine Rech Gallery London is pleased to present a selection of works by American artist Tom Wesselmann. >> Read more
Extra, 2016.12.07 Wed, by

Shanghai Gold Rush part 2: ART021, Sino-Russian friendship and French quarters

Two years later, ART021 had outgrown its home on the Bund and moved...to the Shanghai Exhibition Centre (ha!)...Chris Moore reviews ART021 2016. >> Read more

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