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2016.06.30 Thu, by

MILL6 Heritage Program Public Forum

MILL6 is delighted to invite you to our Heritage Program’s inaugural public event ‘Archiving The Mills through the lens’ which takes place on Sunday 26 June. >> Read more
2015.11.08 Sun, by

The Jockey Club CPS Limited will operate as TaiKwun Centre for Heritage and Art

Open call for an art exhibition and request for retail proposals at revitalised heritage site >> Read more
2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
Interviews, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Interviews, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
访谈, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
访谈, 2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more
访谈, 2020.01.15 Wed, by

Gallery Weekend Kuala Lumpur 2019

The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> Read more
访谈, 2020.01.10 Fri, by

Nagel Draxler

Galerie Nagel Draxler was founded by Christian Nagel in Cologne in 1990 and operates in Cologne, Berlin and Munich. We are proud to be a gallery that has a history, a present and a future. >> Read more

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