randian | 燃点

We are not only living in an era that witnesses mass mobilization caused by globalization. From the migration of population driven by production >> Read more

In 1989, when he and his wife was travelling toward east, >> Read more

A first for modern times, our historical narratives are moving out of tragedy and into comedy, and like it or not, this will be a major turning point. >> Read more

Zian Chen interviews the curators of the 11th Shanghai Biennial. >> Read more

I know this is the being outside the system. I know, too, I do not belong. >> Read more

Everything that happens today is connected to what happened yesterday. Artistic creation is no exception. >> Read more

Steyerl's work is so cogent because, as a provocateur, she is able to coherently foreground the mechanisms of art that have long been buried and ignored. As Steyerl herself says: Too Much World. >> Read more

Simon Lee Gallery is proud to present “Slow Wave”- Mai-Thu Perret’s first solo exhibition in Hong Kong. Perret is known for her multidisciplinary, installation-based practice that combines feminist politics with literary texts, homemade crafts and 20th century avant-garde aesthetics. >> Read more

Here, the idea of a “Climate Theatre” as imagined by the British psychologist/mathematician/ meteorologist/physicist Lewis Frye Richardson in 1922 (“Weather Prediction by Numerical Process”) is newly applied to the Caochangdi art district, its contemporary context and dissemination, by the artist Shi Qing. >> Read more

As consumers of cinema, as addicts, we mainline film’s nostalgia, the way it seduces our caved Platonic souls to believe in brusque impressions. We feel the awkwardness of cinematic ghosts, even empathize with them, blinding ourselves like Oedipus.... >> Read more