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2017.02.23 Thu, by

KAZUHIRO YAMANAKA “Visible X Invisible”
Power Station of Art, Shanghai

Product and Interior Designer Kazuhiro Yamanaka was born in Tokyo in 1971. >> Read more
2015.06.16 Tue, by

Winners of the 2015 “Emerging Curators Program” at Shanghai’s Power Station of Art

Each of the winning teams will receive 330 000 RMB [approx. 53100 USD] to execute their curatorial proposals.
 
>> Read more
2014.07.11 Fri, by

Shanghai’s Power Station of Art Announces Winners of the “Emerging Curators Program”

The PSA's academic committee commenced their final assessment for PSA’s Emerging Curators Program. 21 proposals made it into the final round of deliberation, and committee members voted for the top three proposals. >> Read more
2014.04.30 Wed, by

CCAA Awards at Shanghai’s Power Station of Art

The Chinese Contemporary Art Award (CCAA) opened its 15th anniversary exhibition on April 26 at Shanghai's Power Station of Art. The exhibition included a range of artists who have won awards; each artist had one or two pieces—with the notable exception of Ai Weiwei... >> Read more
2019.04.02 Tue, by

M+ announces the six artists shortlisted for the inaugural Sigg Prize, with the winner to be announced in January 2020

M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, >> Read more
2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
2018.11.16 Fri, by

HKAGA’s 2018 ART SYMPOSIUM “LOOKING UP” EXAMINES HONG KONG’S ROLE IN THE INTERNATIONAL ART WORLD

The 2018 Art Symposium presented by the Hong Kong Art Gallery Association (HKAGA) and Asia Society Hong Kong Center will be held on Friday 16th to Saturday 17th November. The theme of the Symposium is “Looking Up: Remapping Hong Kong’s Art Scene in the Era of New Connectivity and Ruptures”. The Art Symposium has become one of the major events in the Hong Kong and international art calendars. >> Read more
2018.10.31 Wed, by

Francis Alÿs
La dépense
Rockbund Art Museum Shanghai

The Rockbund Art Museum Shanghai will present the first large-scale solo exhibition in China by the Belgian artist Francis Alÿs, “La dépense,” from November 9, 2018 to February 24, 2019, curated by Yuko Hasegawa. >> Read more
Interviews, 2018.06.07 Thu, by

A Cubist Portrait of Shi Yong: Artist, Art Worker and Art Collector

(中文) 作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> Read more
Interviews, 2018.05.27 Sun, by

ZHU XIANGMIN
‘The Body Electric’
Leo Gallery, Shanghai

One of Leo Gallery's ten-year anniversary exhibition series, >> Read more

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