Galerie Urs Meile is pleased to announce the Xie Nanxing solo exhibition A Roll of the Dice. The exhibition unfolds around the artist’s recent thinking on “waiting” and “randomness,” presenting works from three series: What to Exhibit (2017), Seven Portraits (2018), and A Theater of Waiting (2019). >> Read more
As one of Japan's leading contemporary artists, Tatsuo Miyajima's three principles of “keep changing, connect with everything, and continue forever”—precedes any survey presentation of his art. >> Read more
Presenting different movements, avant-garde, techniques and styles, 116 contemporary masterpieces shortlisted by John Moores Painting Prize are being exhibited at Shanghai Minsheng Art Museum. >> Read more
UCCA Beijing presents “Elizabeth Peyton: Practice,” the first solo exhibition in China by the artist, a leading figure in contemporary painting. >> Read more
The pictures of stocky women in ballet dresses, engrossed in play, have almost become shorthand for Paula Rego’s pictures. But glance through any book on her and one immediately remarks the extraordinary diversity of her art… >> Read more
Singapore—Pearl Lam Galleries is pleased to present Crossfades and Drawn Forms, a duo exhibition featuring a selection of works by Iranian artist Golnaz Fathi and Chinese artist Lan Zhenghui. Transforming the gallery interiorinto an echo chamber of lines and interventions, the exhibiting works include paintings, a series of lightboxes, and a video projection. >> Read more
The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more