randian | 燃点

The pictures of stocky women in ballet dresses, engrossed in play, have almost become shorthand for Paula Rego’s pictures. But glance through any book on her and one immediately remarks the extraordinary diversity of her art… >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

It is too early to decide if I am destroying the tradition of ink painting. —Zheng Chongbin >> Read more

Mur Nomade presents the international video art program TIME is Love.9 >> Read more

In 1973, the Musée d’Art moderne de la Ville de Paris presented an important retrospective of Heinz Mack’s work. >> Read more

Preparations for the European Biennial of Contemporary Art enter their Final Phase... >> Read more

Randian is pleased to share an essay by leading Nam June Paik scholar, John G. Hanhardt, commissioned by Gagosian Gallery for the exhibition catalogue. >> Read more

The art of Michael Elmgreen and Ingar Dragset treats the event and experience of exhibitions as their media—including theatrical interaction with the audience. While frequently playful, most of their work has a strong political seam... >> Read more

With the slogan “We Are Asia,” Art Stage Singapore returns next week for its fourth annual edition. Randian previews this year's fair, with comments from founding Director Lorenzo Rudolf. >> Read more

One of the core genre tools often deployed for exhibitions intended to invite public participation is, of course, participatory art. “Inflation!” wisely steers away from anything knotty and relational, instead opting for a more literal form of visitor-work interaction that also makes space for unorthodox relationships between visitors. >> Read more