randian | 燃点

Richard Koh Fine Art (RKFA – SG) is pleased to announce Eiffel Chong (b.1977) >> Read more

The first appearance of the ouroboros—the mythological snake that eats its own tail—appears in an ancient funerary text discovered in the tomb of Tutankhamen in 14th century BC. Across cultures, this act of autophagy has symbolized the cyclical processes of life and death, whose union can be seen formulating pre-modern conceptions of eternity. >> Read more

Simon Lee Gallery is pleased to present an exhibition of new paintings by Dexter Dalwood, his second to be held in the London gallery. ‘In this modern world where everything plays out fast and it plays out in the open at incredible speeds and just when it seems like we are all in on it […] >> Read more

This year’s edition of Para Site’s International conference is interested in the renewed discussion throughout the world, often marked by symbolic actions if not yet by government policy, affecting what gets counted within the category of heritage, and who gets to do the counting: from the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Confederate America and Apartheid South Africa. >> Read more

David Zwirner is pleased to present an exhibition of new and recent work by Wolfgang Tillmans across the gallery’s three locations on West 19th Street in New York. >> Read more

The MdbK exhibition Displacements/Entortungen initiates a dialogue between the oeuvre of the two internationally renowned artists Ayşe Erkmen and Mona Hatoum in an unprecedented joint exhibition. >> Read more

Mai 36 Galerie is delighted to present, for the very first time, the latest groups of works by American artist Matt Mullican, whose oeuvre encompasses such diverse media as painting, drawing, sculpture and photography alongside video, installations and performances. In this, his ninth solo exhibition at Mai 36 Galerie, two groups of new rubbings and glass works will be shown. >> Read more

(中文) 在学术界，革命和激进的思想是通过与学者和学术传统的某种约定（engagement）实现的，而这些学者和传统则来自于受到册封的过去。当代人阅读、或者更为通常的情形是重读旧文，从而产生了无法落入这些文本之主流被接受情形的“新”解读。 >> Read more

Insects are more than creepy-crawly bugs; they are also a central reference point of so much of network culture, from talk of hive minds and distributed networks to algorithms that function like ant colonies; some refer to our cognitive capitalist practices as “pollen society”. >> Read more

Genieve Figgis is a consummate storyteller. Using paint rather than words, her deeply narrative works—often conjuring characters and settings out of the Edwardian age of the Anglo-Irish aristocracy—fit snugly within this long tradition of Irish cultural production. >> Read more