randian | 燃点

Through theatrical re-presentations of reality via large-scale imagery, Wang Guofeng inspires the viewer to examine the lack of criticality in contemporary media. >> Read more

Miami starts with parties and champagne and ends with blood and rain. As the deluge descended and the drains spewed, we huddled around an ATM with a homeless guy, or maybe he was a performance artist or kooky billionaire—no he was just homeless. >> Read more

Presentation: randian’s first print issue Date: May 16, 4–8 pm >> Read more

New Randian partnership announced. >> Read more

Randian will participate in "The Big Picture: Lives, Landscapes, Homelands in Australian and Chinese Art" conference for the panel discussion "Visual Literacy in the Asian Century", chaired by Aaron Seeto, on 12th September in Beijing. >> Read more

During the course of this weekend, we are implementing changes to our website, including to our Homepage, News and Events sections. Please bear with us while we do so. >> Read more

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Launched in 2010, Randian 燃点 is owned and run by its editorial board. We seek to promote independent cultural debate in China and to foster intellectual exchange between China and the rest of the world. This means independent commentary on art, artists, exhibitions and galleries, as well as video, film, poetry, architecture, design. Published in […] >> Read more

randian: The biennale is titled "The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art." What’s it about?David Elliott: Well, it’s like all my large shows of contemporary art in that it gives a particular take on what is happening now and on why some of the best art being made is absolutely central to a wider appreciation and experience of the world. >> Read more

Undetermined Tune: Li Lei Art Exhibition >> Read more