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Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

by Alice Gee Thao Nguyen Phan ‘Becoming Alluvium’ Chisenhale Gallery (64 Chisenhale Rd, Bow, London E3 5QZ) Sept. 26, 2020 – Dec. 6, 2020 Thao Nguyen Phan’s Becoming Alluvium, comprising a single-channel video and a series of lacquer and silk paintings, arrives at the Chisenhale Gallery in London after exhibitions in Brussels and Barcelona. In these […] >> Read more

(中文) Yonemoto兄弟的录像《好莱坞制造》是展览“制作中”最漫长的一件。 >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

对于“性别的暴力”的审视，总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述，经由身体和文化的建构，都会反作用于评论者自身，成为一种自诘式话语的变体。 >> Read more

Richard Koh Fine Art (Singapore) is pleased to announce Svay Sareth’s (b.1972) first solo exhibition in Singapore. >> Read more

M+ International launches with The Hidden Pulse, a collaboration with the Sydney Opera House >> Read more

Richard Koh Fine Art (RKFA) is pleased to announce the first solo exhibition by Sun Xun in Malaysia scheduled to run from 24 July – 14 August 2018 at Richard Koh Fine Art, 229, Jalan Maarof, Bukit Bandaraya, Bangsar 59100, Kuala Lumpur. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more

Chen Chieh-jen’s new exhibition “A Field of Non-field” is a show that demonstrates refinement, not only in its sleek, grey visual effects, but also in the artist’s work combing through and neatly displaying the contextual relationships that exist between every single element in the exhibition—and on top of this, all of it done to the tune of his concise aesthetic temperament: solemn, neutral, calm. >> Read more