randian | 燃点

Ancient forms of punishment that involve bodily dismemberment were considered “inhumane” and thus abolished. In comparison, in the effort to challenge norms regulating common conceptions of humanity, many contemporary artworks often take up “dehumanizing” positions >> Read more

Taiwanese artist Yao Jui-chung’s practice is intimately tied to human history, whether economic decay or the vicissitudes of Cross-Strait relations, yet much of his recent work avoids depicting humans altogether. >> Read more

Almine Rech Gallery is pleased to present A New Spirit Then, A New Spirit Now, 1981-2018. >> Read more

Jizi’s work confronted the legacy of the Revolution’s antipathy to religion and traditional Chinese life and attitudes. Deeply interested in the spirit, the artist’s work contains a strong metaphysical strain and sheds light on the complex, and at times contradictory, impulses at work in contemporary Chinese art and culture. >> Read more

Jizi: Journey of the Spirit, a memorial retrospective curated with the artist’s son, Chunchen Wang, presents a selection of Jizi’s large scale ink paintings and a monumentally-sized rarely-seen, scroll. >> Read more

Leo Gallery and Contemporary by Angela Li jointly present, Spiritual Sensation, solo exhibition of renowned Chinese performance artist Cang Xin. >> Read more

Pace Hong Kong will present a solo exhibition for the artist Yin Xiuzhen on 24 November 2016. >> Read more

Equator Art Projects is pleased to present the first solo exhibition of Srihadi Soedarsono’s work in Singapore. Seven new paintings in oil on canvas will be displayed in the Main Gallery. >> Read more

Pearl Lam Galleries is pleased to present Spiritual as Mountains, a group exhibition which explores contemporary Chinese spiritual and cultural values through artworks inspired by the spirituality of nature and Chinese traditional culture. >> Read more

“The attention should never be on the paintings themselves, which I deliberately repeat in different series to deconstruct their visual power, but the concept behind the forms. I am interested in the way we look at exhibitions and how our pre-existing knowledge, whether cultural, religious or political, affects our perception of art. >> Read more