The Violence of Gender
对于“性别的暴力”的审视，总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述，经由身体和文化的建构，都会反作用于评论者自身，成为一种自诘式话语的变体。 >> Read more
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LI Jingxiong: VIOLENCE ON DEMAND
Gallery EXIT
Gallery EXIT is pleased to announce "VIOLENCE ON DEMAND", >> Read more
Wang Tuo “A Little Violence of Organized Forgetting”
(中文) 日光亭的第五次开幕将带来青年艺术家王拓的个人项目“失忆事典”。 >> Read more
Rui Matsunaga and the Myth of Survival
– an interview with Alice Gee
by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more
True Paradise
Dao Chau Hai’s ‘THINH’
at Manzi Art Space, Hanoi
Dao Chau Hai – a solitary wanderer in the endless exile of the mind, searching for a paradise that does not exist. >> Read more
Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.
Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
Werner Büttner and the Invention of BAD Painting
Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Yeoh Choo Kuan: “Today’s Special”, Richard Koh Fine Art
Richard Koh Fine Art (RKFA) is pleased to announce Malaysian artist, Yeoh Choo Kuan’s (b. 1988) first solo exhibition in Singapore. >> Read more
Participation Mystique
Today, our reservoir of desire is not simply the unconscious mind. “Participation Mystique” situates itself within this reconfiguration of desire. In this immense mirage of their making, the artists use various sensory perceptions to tease out our desire, allowing us to be in touch with the pain and excitement of loss, accident, damage and violence, thereby recognizing the profound spiritual ties between us and the world. >> Read more
Liu Xi’s Paradox
Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more
