randian | 燃点

This summer, the Yokohama Museum of Art presents New York-based artist Cai Guo-Qiang (b.1957, Quanzhou, Fujian Province, China) in his first large-scale solo exhibition in Japan since 2008. >> Read more

"Cai Guo-Qiang: Moving Ghost Town" unveiled at the opening show of the Aspen Art Museum in Colorado. The work featured three turtles on which are mounted two iPads. >> Read more

The opening pyrotechnics started out at 5 pm. From afar, thick green billows of smoke hung from the sky, drifting from PSA’s large smokestack. >> Read more

Cai Guo-Qiang's solo exhibition at the Power Station of Art, "The Ninth Wave"
 
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Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more

Faurschou Foundation Beijing has the pleasure of presenting A Lot of Sorrow—a video performance by the Icelandic artist, Ragnar Kjartansson and The National. The work, A Lot of Sorrow, is a single channel video, showing a six-hour long concert by the American band, The National. The band performs their song, Sorrow, repeatedly, in an uninterrupted […] >> Read more

Sorry, this entry is only available in 中文. >> Read more

This letter is penned after PRACTICE has been around for two years, >> Read more

As an annual exhibition featuring works by artists from Northeast Asia, “Asia Corridor” could have the potential to delve into some rather interesting and seldom-broached issues in this region. >> Read more