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Almine Rech Gallery
2015.11.19 Thu - 2015.12.19 Sat
Opening Exhibition
Abdijstraat 20 rue de l'Abbaye
B-1050 Brussels, Belgium
比利时布鲁塞尔 1050
+32 (0)2 648 56 84
Opening Hours
Tuesday – Saturday 11AM - 7PM
周二至周六 11点 - 19点
Lisa Boulet and Alexia Van Eyll

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JOEP VAN LIESHOUT Primitive Modern
[Press Release]

November 19 – December 19, 2015 / Brussels
Opening on Thursday, November 19th
5 – 8 pm

Images of a different brave new world to come.

O wonder!
How many goodly creatures are there here!
How beauteous mankind is!
O brave new world,
That has such people in it!

-William Shakespeare

With Primitive Modern, a solo exhibition by the Dutch artist Joep van Lieshout, Almine Rech Gallery presents the transition between two of the artist’s key projects: the new project Neo-futurism and recent works from the Gesamtkunstwerk New Tribal Labyrinth, which the artist has been working on for the last four years. Both projects depict the same paradoxical utopian desires, while bringing to the fore a clear shift through a future vision on the development of the world.

New Tribal Labyrinth is a series of sculptures that embrace the industrial revolution and depict the romantic longing to become one with both machine and matter. The series suggests the emergence of a new world order, inspired by old world orders. In this world, populated by fictional tribes, we see a return to agriculture and industry and the revaluation of ancient rituals. New Tribal Labyrinth is made up of agricultural, industrial and ritual objects, yet the exhibition mainly focuses on the world of rites and rituals. Sculptures that serve as objects of worship, victory columns and fertility figures refer to primitive sculptures. Venus figures and Madonnas, carved out of an intuitive and instinctive desire, stand on pedestals that refer to the modernism of the early 20th century.

Van Lieshout’s recent work Neo-futurism translates Futurism, the art movement of the early 20th century, into 21st century contemporaneity in a disruptive manner. Technology, big data, acceleration, conflict, aggression, robotics and recycling are mixed with poetry and romanticism. Not only do they show a new direction in the oeuvre of Van Lieshout, but they also offer us a glimpse of a possible future under construction, based, on the one hand, on destruction and deconstruction. Yet on the other hand, the work depicts the optimism of (re) construction and new energy. A shining example is the endless column that gives new meaning to the remnants of primitivism.

The largest work in the exhibition is a tribal dwelling. This Essential Dwelling is like a rock cave carved out by man. Here, the inside space and functions are determined by the original desires and urges of the human being. An essential living unit whose interior is shaped by irrational wishes. Here again, a tribal object is mixed with the ideas of modernism. The sculpture is both contemporary and utopian, primitive and archaic.

The coming together of Neo-futurism and the New Tribal Labyrinth challenges the viewer to set in search of a new image of the future as a new mental point of reference. Past and future, modernism and primitivism, the rational and the irrational, utopia and dystopia, art, energy and science are brought together and investigated. In this way, Van Lieshout creates new systems and worldviews on the ruins of the past.

Jan Boelen