These are truths, affirmations, stated or not, that are felt but not proved.
This is the story of something that happened to me when I was at art school—a small incident that remains vivid to me even now.
Yet my intention in writing this article is not merely to rant—it’s in the interest of drawing attention to a very real problem.
On a recent visit to Marfa, I found myself musing on the relationship between Judd’s fervent vision for permanence and the natural environment that moves it.
This fractured self can find relief, I think, through the ritual work that goes into keeping far flung connections strong and afloat.
This kind of psychology is much like the art industry, pushed forward as it is now by the e-commerce boom.
In a state of shock, many asked, “Can he really do this?!”
The Award for Art in China (AAC) is the most lavish award in the world of contemporary art in China. Much can be read from the selection for these prizes every year year.
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