Private view 10 Sept 2015, 6 – 7.30pm / London UK
Gordon Cheung: Breaking Tulips
Alan Cristea Gallery
Breaking Tulips, an exhibition of new work by Gordon Cheung, provides an historical reflection of contemporary culture through the exploration of the Dutch Golden Age, a period of extraordinary wealth and power in 16th- and 17th- century Holland. ‘Tulipmania’ was the world’s first recorded major financial crash, and is also the title of a series of twelve hand painted prints by Cheung. On public display at the Alan Cristea Gallery from 11 September until 6 October, Tulipmania 1 – 12 will be shown alongside a number of other works including prints based on Dutch 17th-century still lifes from the Rijksmuseum, together forming an exciting body of work which seeks to highlight that economic bubbles are not a modern-day phenomenon.
‘Tulipmania’ was a notorious episode in 17th-century Dutch history, in which the trading of tulip bulbs became so extreme that the price of one flower would sell for ten times the annual wage of a skilled worker. ‘Breaking Tulips’ refers to the then unknown plant virus that caused tulips to blossom with desirable stripes, making them exceptionally rare and valuable to tulip speculators almost 400 years ago. Based on original watercolours of tulips from speculators catalogues, Cheung depicts a single tulip on a layer of collaged stock listings newsprint from the ‘Financial Times’; these columns of data provide evidence of the complex digital networks that connect countless physical locations around the world in our wealth-obsessed era. Cheung relates this event to contemporary thinking, commenting, “In the context of the Dutch Golden Age the Tulip Breaking virus is both a biological and mind virus where a distorted sense of economic value has taken hold in a herd mentality.”
Cheung continues his negotiation between the past and present via openly sourced images of Dutch 17th-century still life paintings from the Rijksmuseum, Amsterdam. Using images of works by artists such as, Jacob van Walscapelle, Rachel Ruysch, Jan Davidsz de Heem and Hans Bollongier, Cheung disrupts the depicted still life so that it appears to melt down before our eyes.
“By using still life paintings from the Rijksmuseum and ‘glitching’ them with conceptual artist Kim Asendorf’s ‘open source algorithm’, I splice together a hybrid that compresses the past and suggests the transient repetition of history. The visual effect of the ‘glitching’ is to dissolve the paintings into virtual sand like effects. Nature seems caught in digital quick sands of pixels.”
Entitled New Order and Small New Order, these works will be shown alongside six hand-painted still life prints, named after the opening lines of Auguries of Innocence, a poem by 19th-century poet and artist William Blake (1757 – 1827), which uses apocalyptic imagery to warn society of the consequences of injustice and corruption.
Cheung’s art looks to the future, whilst remaining firmly rooted in the past; reminding us that recent dot.com and millennial frenzies and the boom and busts of housing markets are not modern occurrences. However, today we have adapted to a matrix of technologies that have electronically merged to create a virtual landscape. Our technology-driven era has disrupted our notions and perceptions of time and distance so that we now exist in a state of constant flux.
The exhibition will be accompanied by a fully illustrated catalogue, with an introductory essay by art historian, writer and broadcaster Charlotte Mullins. Gordon Cheung, Charlotte Mullins and Prof. Karin Moelling will take part in a panel discussion on Tuesday 29 September, 6pm.
ARTIST TALK
Tuesday 29 September 2015, 6pm
Join Gordon Cheung, who will discuss his latest body of work and exhibition with historian, writer and broadcaster Charlotte Mullins, Senior Lecturer in Fine Art Theory at Chelsea College of Art and Design Dan Smith and Professor Karin Moelling whose research into viruses sheds light on ‘Breaking Tulips,’ a plant virus that causes tulips to blossom with stripes. To reserve you seat please email rsvp@alancristea.com. Free admission.
The Alan Cristea Gallery is the exclusive worldwide representative for Gordon Cheung’s original prints.
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Forthcoming:
Private View 8 Oct 2015 / London UK
Gordon Cheung: The Abyss Stares Back
Edel Assanti Gallery
http://www.edelassanti.com/exhibitions/52/overview/
Group Shows
Ends 22 Nov 2015 / Venice, Italy
Azerbaijan Pavilion Venice Biennale
Commissioned by Heydar Aliyev Foundation, Baku, Azerbaijan
Curated by Artwise: Susie Allen, Laura Culpan, Dea Vanagan
http://www.azerbaijanvenicebiennale.com
25 Sept – 17 Oct 2015 / Berlin Germany
Collateral Drawing
@ rosalux / Curated by Bella Easton and Paul Carey-Kent
http://rosalux.com/about/
http://www.collateraldrawing.org/rosalux-Berlin-Germany
12 Sept – 4 Oct 2015 / London
Hundreds and Thousands
Lubomirov / Angus-Hughes
http://www.lubomirov-angus-hughes.com/hundreds-and-thousands
Art Fairs
17-20 Sept 2015 / Chicago USA
Expo Chicago 2015
With Alan Cristea Gallery
http://expochicago.com/galleries/gallery?gid=5418
18-20 Sept 2015 / Amsterdam Holland
Unseen Photo Fair
With Edel Assanti Gallery
http://unseenamsterdam.com/edel-assanti-uk-2015
