randian | 燃点

All of which is to say that Cárdenas arrived in France not as some unformed, marginal or alien other (albeit his work was absolutely unknown in Europe at the time of his arrival in Paris)... >> Read more

The International Awards for Art Criticism Ltd. (IAAC) launches the fifth edition of their Awards this month (IAAC 5) and will announce their new competition rules, awards system and members of its international jury at a press conference to be held at Shanghai Minsheng Art Museum on May 21, 2018. >> Read more

ShanghART Gallery is pleased to present XU ZHEN®’s solo exhibition: “Alien” in May 2018. >> Read more

(中文) 作为我们独家课程的一员，您将在一周的时间里与其他中国学生及青年职场人士一道体验世界最佳艺术设计博物馆的非凡魅力。本课程由维多利亚与阿尔伯特博物馆为具有全球化背景的中国青年量身打造。 >> Read more

The 16th Istanbul Biennial, organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by Koç Holding, will take place between 14 September and 10 November 2019. The 16th edition of the Biennial will be curated by French curator, art scholar and writer Nicolas Bourriaud. >> Read more

Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more

MAHO KUBOTA GALLERY is proud to present a solo exhibition of works by the young Chinese painter, Leng Guangmin. >> Read more

Perrotin Seoul is pleased to present a solo exhibition by Chinese artist Xu Zhen, featuring major works spanning the development of his flagship art brand, XU ZHEN®, since 2013. >> Read more

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more

These days it seems where ever you turn there are complaints about the gallery system. New York has been discussing the “mid-sized gallery squeeze” for years now—to no avail. The cards are still stacked in favor of the heavy-hitting galleries, like David Zwirner, Hauser & Wirth, Gagosian, you name it. >> Read more