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2015.05.04 Mon, by

Humanistic Nature and Society – An Insight into the Future

Presented by Shanghai Himalayas Museum and curated by Wong Shun-kit, Humanistic Nature and Society (Shan-Shui) - An Insight into the Future will be unveiled at Palazzo Ca’Faccanon on May 6th, 2015, as one of the collateral events of the 56th International Art Exhibition of the Venice Biennale. >> Read more
2014.09.29 Mon, by

SOCIAL FACTORY: The 10th SHANGHAI BIENNALE

In 2014, for the second time, China’s foremost state-run institution of contemporary art – Power Station of Art – hosts the Shanghai Biennale, in its converted power plant space. >> Read more
2013.10.22 Tue, by

Locus – Wang Chuan Solo Exhibition and Society as Still Life – Chen Liangjie Solo Exhibition

In gold autumn season, A Thousand Plateaus Art Space is pleased to present Wang Chuan & Chen Liangjie Joint Solo Exhibition. >> Read more
2013.10.09 Wed, by

“Social Sculpture ”—— Beuys in China

Joseph Beuys is one of the most important artists in 20 centuries.His works influenced lots of artists after the Second World War. >> Read more
2013.03.30 Sat, by

Object Not Found:
In Search of Social Media Art

The messages of most of the art works in “Virtual Voices” are restrained, perhaps a little too subtle for audiences in Vancouver to grasp given the cultural context of the art — the exception being Remon Wang’s political cartoons. >> Read more
2022.03.14 Mon, by

Project Negotiation: A Discussion on “Post-Art”

(中文) “后疫情”正在变成陈词滥调,新常态才是人们不知不觉中沉浸的现实,而当时过境迁之后,这些项目及个中“碎片”所蕴含的密码也就容易提取了。到那个时候,到底“艺术项目”是不是艺术的问题就不重要了。 >> Read more
2021.06.19 Sat, by

Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
2021.06.03 Thu, by

(中文) 算法治理与象征性抵抗

他可能想不到自己对拟象取代现实的担忧,在若干年后被新一代的艺术家们反转,化为对社会现实“弱姿态”的象征性抵抗。 >> Read more
Think, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
Think, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

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