randian | 燃点

Why Felix Gonzalez-Torres, and why now? What are the nuanced relationships to identity and aesthetics we could distill from his oeuvre that might help us contribute to social change? >> Read more

(中文) 静远选择了一个同样被现实环境浸没、从尺度上接近极限的空间展出，并对观看进行了一系列设置。她将这张巨幅肖像横置，把人们与大尺度肖像画之间由远及近的仰视关系转换为图穷匕见式的浏览方式。 >> Read more

In 2007, at Imagine Gallery in FeiJiaCun, I saw a video in which a young Chinese artist was practicing Tai Chi in the middle of a huge crossroads where multiple lanes converged. >> Read more

(中文) 箭厂空间的绿墙并不是项目的全部，它转化艺术家的身体感受，成为可见的输出。绿墙只是技术手段，而不是作品完整的形态。 >> Read more

In 2007, at Imagine Gallery in FeiJiaCun, I saw a video in which a young Chinese artist was practicing Tai Chi in the middle of a huge crossroads where multiple lanes converged. >> Read more

(中文) 每次在深夜的鼓楼听完live，北京土生土长的街头摄影师梦龙都习惯走路回望京的住家。凌晨的鼓楼，街道空旷、两旁大树漫生的枝叶合力遮挡着月光洒落地上。 >> Read more

The second edition of “Independent Art Spaces Beijing” will host independent art projects, no matter if you have a fixed location or are a collective occupying public spaces or private apartments or the digital space. >> Read more

I try to understand how an artist, a designer, an architect, a writer, a poet, or any other “creative” individual should go about this kind of activity in order to bring his or her own work and practice into this kind of context. >> Read more

The Brunei Gallery,SOAS is pleased to announce a retrospective by the celebrated Chinese painter Hong Ling (b. 1955). >> Read more

The glass doors of Arrow Factory are pitch black. A press release posted on the wall lets viewers know that the only way for them to see the exhibit is through a waist-high opening to the right whose size makes it impossible for more than one person to look at a time. >> Read more