So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more
Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more
Manifestations is Philippe Parreno’s eighth solo exhibition with Esther Schipper. It includes works spanning various media: a granular soundtrack, a CGI film, atmospheric sensors, robotic systems, computer code, ice and water. >> Read more
Now in his 9th decade, Alex Katz is one of the greatest living artists. Yet Katz remains in a category of his own. We spoke with Katz by telephone about influences, recent shows and the key model for his entire oeuvre, his wife and muse of 60 years, Ada. >> Read more
A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more