randian | 燃点

Microwave International Arts Festival has been bringing the latestfascinations in the fusion of technology and art to Hong Kong since 1996. >> Read more

David Zwirner is pleased to announce the gallery's first exhibition dedicated to the work of Ruth Asawa since having announced the representation of the artist's estate earlier this year, which will take place at the 537 West 20th Street location. >> Read more

Art Nomads – Made in the Emirates: From Abu Dhabi comes an exhibition of art from the United Arab Emirates. A young art, new to figuration, it is unsullied by the overbearing preconceptions of western art history, in the most exciting stages of finding its own voice. >> Read more

David Zwirner is pleased to present Fred Sandback: Vertical Constructions, on view at 537 West 20th Street in New York. >> Read more

Hong Kong—Pearl Lam Galleries is delighted to present a solo exhibition of works by American painter Sam Francis (1923–1994). This exhibition is part of the Galleries’ series that sees the work of a distinguished Modern artist presented at its Pedder Building space in Hong Kong each September. With the gallery’s long-standing interest in presenting abstract […] >> Read more

The strength of "Bentu" lies in the way it chooses to focus on a few strong, individual artworks.
 
 
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The second Istanbul Design Biennial, The Future Is Not What It Used To Be, curated by Zoë Ryanand associate curator Meredith Carruthers, organised by the Istanbul Foundation for Culture and Arts (İKSV), has opened to the public. >> Read more

The “Los Angeles Project” is not a thematic exhibition, and rightly so. What impressions do these shows deliver, individually and collectively, of the creative inclinations with which LA-based artists are working? >> Read more

“Before the Beginning and After the End” at Long March Space exhibits a carefully picked selection of a dozen works by seven artists. Some of the works directly touch upon the concept of “time” while the others, viewed under the subject of “time”, invite new imagination and interpretation on the works. >> Read more

Broad beyond belief, in cultural terms, in comparison with the millennia-spanning survey “China: 5,000 Years” or the more standard national survey shows still favored by mid-sized institutions today, the exhibition's remit is both ambitious and impossible. >> Read more