randian | 燃点

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more

Samson Young’s 2018 solo exhibition at Edouard Malingue Gallery (Shanghai) entitled The highway is like a lion’s mouth follows from the English translation of a slogan that is familiar to Hong Kongers. >> Read more

Galerie Urs Meile is pleased to announce the first solo show of Michel Comte in China. >> Read more

Datumsoria: The Return of the Real 2017.9.9 – 2018.3.18 ZKM | Center for Art and Media (Karlsruhe, Germany) Curated by ZHANG Ga Artists Ralf Baecker, Laurent Grasso, George Legrady, Rafael Lozano-Hemmer, Carsten Nicolai, Nam June Paik, LIU Xiaodong, YAN Lei, ZHANG Peili, WANG Yuyang Co-presented by Chronus Art Center (Shanghai) ZKM | Center for Art […] >> Read more

I try to understand how an artist, a designer, an architect, a writer, a poet, or any other “creative” individual should go about this kind of activity in order to bring his or her own work and practice into this kind of context. >> Read more

The first impression of the 9th Berlin Biennale is that of a Millennial’s existential crisis. But rather than sulkily uoting Camus while blowing cigarette smoke in your face, the contemporary existentialist muses on adages. >> Read more

Para Site is proud to present Orchestrations, a solo exhibition by Samson Young that looks at the modalities of "orchestra-making” in the various communities of Hong Kong. >> Read more

Galerie Urs Meile is pleased to announce the opening of Liu Ding’s latest solo exhibition Three Performances. Over the past two years, Beijing-based artist Liu Ding(* 1976 in Changzhou, Jiangsu Province, China) has been developing a form of art that he terms “weak performance.” The three artworks—I Simply Appear in the Company of… (2012), The […] >> Read more

The 5th Moscow Biennale is curated by Catherine de Zegher with the title derived from Goethe's famous last words: “More light!” “More Light” is not a blinding lineup of spotlight-wary, biennial-ized superstars... >> Read more